Photo by Rowan Gould-Bayba

“Her focus is on the articulation of small wonders. Whether taking us on a journey into how the mind works in narrative loops – banal and determined – or ushering us through space, she reveals our vulnerability. Her films are evocative not of message or broadcast but of experience blooming. Studies of silent movement arcing through landscapes known, unknown and remembered. As viewers, our body leaps to forgetting for just a moment that it is not trained. Her dancer lifts us up to our own private abandon through a layering of family gardens narrated by a domestic longing in a room full of poetry. The physicality we experience in a chase scene, or horror vignette, we experience full force from the particulates of her character’s internal world. Dot’s stark presence as a performer, poet, dramatist and filmmaker captures still truths that ripple in images of daily seeing. How she notices and captures as a cinematographer is as interesting as the stories she tells. Our raw selves revealed – we feel the stones on our feet. We can bask or rebel in the politics of the alienated-self celebrated in these conflicted desires. And critically, as a young woman, she articulates and distils an austere sensuality that belies the fit/flat cuts of social media. Quite the opposite - in Dot’s work, we travel through her images broken presences hoping to heal…The quality of her listening acute. She understands the power of pausing and considering the art of critique with colleagues. She has the gift of lifting other voices, supporting their work beyond platitudes and creating shared venues for expression.”

- Justine Lewis, Visible Leadership

Theadora Foster is a filmmaker, photographer and theatre-maker based in London and Berlin.

Theadora (she/her) was born in Los Angeles and moved to the UK as a child. She studied at the University of Oxford and trained at Prague Film School, where she specialised in cinematography. A theatre-maker, dancer and performer, Theadora was drawn to abstract photography from an early age and began experimenting with ‘film-poems’, short, lyrical films that draw on contemporary dance practices, spoken word and visual languages of domestic space, vulnerability and the natural world. Her debut film as a cinematographer, Ana Nedeljkovic’s “Tezeta” won the Audience Award for Best Short Film in the University of Oxford Short Film Festival 2023.

“As a producer and director, it is clear to me Dot has filmmaking in her DNA and was born to be a real filmmaker. She has been making films over the past two years exploring and playing with the medium for pleasure and for its own sake. She has also (like myself at her age) developed a passion for photography, both in digital and film. She has an impressive array of cameras many of which are classic film cameras, and I am impressed by her fascination with image. I have loved watching Dots experimental films, especially ‘Poem’. The exploration into sexuality, desire and movement coupled with the projection of image as light source was both innovative and exciting.”

- Joshua Good, GKC Productions